2 cuts off of a staggered cross-screen from 3 and 5. 1 passes to 2 on the wing for a shot. If the shot isn't there, 4 sprints out to set a screen on the wing as 5 and 3 clear out of the way. If 2 rejects the screen, he drives baseline as 5 sets a hammer screen for 3 in the corner. See More
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1 has the ball on the left wing as 2 makes a hard cut to the basket. At the same time, 3 loops around a staggered screen from 4 and 5 for a shot. If the shot isn't there, 3 curls back into the lane and 2 uses the staggered screen to get a shot on the right wing. See More
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This is another option is Miami's "5" set, a variation of Mike D'Antoni's Delay. See More
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1 dribbles right as 3 cuts off of a staggered zipper screen from 5 and 4. 1 passes to 3 then flares to the corner off of a screen from 2. 5 screens for 4 who cuts to the left wing. If neither 1 or 4 are open for a shot, 3 passes to 2 stepping to the ball. 3 screens away and 5 posts up. Once 4 gets the ball at the top of the key, 2 follows the pass and sets a small on big high ball-screen. See More
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If the 1 goes DHO with the 2 Slice Action can take place. That means the 4 will pop out (or set a flare screen to move up top and then pop out). The 2 will immediately reverse the ball to the 4 who will complete the full reversal but hitting the 3 on the wing. The 2 will then “Slice” cut to the strong side block off the screen from the 5. After the cut, the 5 and 4 set a double staggered for the 1 who receives the pass from the 3 at the top of the key. After screening 1, the 4 and 5 complete the wheel action and screen the 2 who peels back off the second double staggered. The 1 then looks to hit the 2 for the shot. See More
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1 passes to 4 who passes to 3 as 5 follows the ball to the ball-side block. 2 moves down to the short corner. Once 3 has the ball, 4 and 1 set a staggered down-screen for 2. See More
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1 passes to 4 who passes to 3. 5 sets a screen for 2 who cuts into the lane. If 2 isn't open posting up, 4 screens away for 1. 3 passes to 1, then 5 and 4 set a staggered screen for 2 who cuts to the wing for a shot. See More
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1-4 high quick hitter set. Designed to get penetration into the paint and a shooter coming off a double stagger. See More
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A man offense set from Creighton involving a high ball screen and then staggered ball screens for a slashing guard. Provides several looks to score. See More
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1 dribbles to the left as 3 sets a screen for 4. 4 cuts to the rim looking for the pass. If 4 isn't open, 3 and 5 set a staggered down-screen for 2. If 2 isn't open, 5 sets a flare-screen for 3. See More
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1 dribbles to the left wing as 3 sets a screen for 4 at the top of the key. 4 cuts to the basket and 3 steps towards the ball. If neither option is open, 4 screens across the floor for 5. 4 then cuts around a staggered screen for 2 and 3. 1 looks to pass to 5 at the basket or to 4 for a shot. See More
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1 dribbles off of a ball-screen from 5 as 2 crosses the baseline off of a staggered screen from 4 and 3. Once 1 clears the screen and looks at 2, he can turn back to the right to pass to 4. Once 4 has the ball, 1 clears to the corner opening space for 5 and 4 to play a 2-man game. 5 sets a screen for 4 on the wing and 4 attacks middle. See More
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A DHO entry to Floppy will most likely be on the wing Guard to Guard. This means the point guard would speed dribble pitch the ball to the corner wing coming up. The wing will now become the point of initiation and the point guard will be come the activated player. This look most likely proceeds to be a back screening action by the strong side big. The popular version employed by the San Antonio Spurs involves a guard-to-guard DHO and a triple staggered baseline screen for Tony Parker who sprints the base line to find the scoring option on the weak side. Important to not the weak side wing must be the second screener I order to prevent a switch on the final screen, thus negating any type of advantage or open shot. Once the defense gets use to the triple baseline screen, Tony Parker will often times enter and exit the same side, thus showing us a DHO into a traditional Floppy Look. See More
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Our Floppy Drop is a great way to take advantage of a good post up guard. As the activated player uses the double pin down from the PF and SF the C flashes to the elbow. The PF then clears to the weak side corner, the SG settles on the wing while the PG hits the 5 at the elbow. The SF remains in the low post and looks to find deep postposition for a drop pass or easy score in the paint. This is especially effective when you have a height and strength advantage at the SF position. See More
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Floppy Chest has a few slight tweaks. As the guard comes off the pin down he curls to elbow much like the “flow away” look that results in an Angle PNR, with the corner filled. In this case we will look to empty the corner, thus as the guard curls off the pin down the second guard follows and fills the strong side corner, thus leaving the other side of the floor naked. On the elbow catch the weak side big then sets a flare screen on the PG who not only “flows away” but uses the flare screen and with then empty corner has much room to operate. See More
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