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Basketball Play - "Diagonal Pop"

"Diagonal Pop"

Kyle Brown 12/03/2012

1 set and a counter to that set from Kevin Stallings. Diagonal is the base action and is a STS play for a shooter or a post up. At the clinic Stallings made a big point of having the guard screen above the FT line. The counter to the play is "Diagonal Pop" which is an elevator action for the shooter. See More

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Basketball Play - Florida Gator PNR

Florida Gator PNR

Dana Beszczynski 11/30/2012

Florida is perhaps one of the best PNR teams in America as Head Coach Billy Donovan has really used this to make his teams more dangerous both under the basket and on the perimeter. Florida does a good job spreading the floor and using their personnel to get people the ball in spots where they can score. The use of the double screen really makes it hard on defenses to recover in time, not leaving a man open as Murphy is a dangerous big man who can step out and shoot the 3. See More

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Basketball Play - College of Charleston Set

College of Charleston Set

Dana Beszczynski 11/27/2012

College of Charleston used this set play to get Stitt a shot after he hit a three on the previous possession. A simple wing entry pass followed by a basket cut. Baru the strong side post comes out to set the wing ball screen with Lawrence Stitt continues his cut out the weak side off the double screen from Thomas & Hall See More

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Basketball Play - Hand Off Rub Screen with Double Screen

Hand Off Rub Screen with Double Screen

Basketball HQ 11/22/2012

The key to this basketball play is timing and setting good screens. By making the defense focus on the hand off and rub screen action you soften up the defense and keep them from being able to help the way they should on the double screen. This is a good basketball play because it has multiple screening options. Get the defense to focus on the hand off and brush screen action to draw attention away from the double screen on the baseline for the shooter. This play is from Jeff B. Davis Community College 2011-2012 season. See More

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Basketball Play - How Houston beat Miami's trap

How Houston beat Miami's trap

Mark Travis 11/14/2012

This set comes from last night's Rockets-Heat game. It is a pick-and-roll set out of a Horns look that takes advantage of Miami's trapping pick-and-roll defense. James Harden was swallowed up by this defensive scheme during the NBA Finals but he is very patient here, keeping his dribble alive at a slow pace to draw both Bosh and Wade for just long enough to open up space on the wing for Carlos Deflino, who is left up by Shane Battier because Battier is forced to help on the roll in Miami's scheme, to get a wide open shot. See More

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Basketball Play - Motion Offense

Motion Offense

Basketball HQ 11/10/2012

Keep the ball and players moving until the defense breaks down and there is an open shot or driving lane. Cut hard without the ball and maintain good spacing. Keep the ball moving and hit your teammates when they are open. This play is from the 2011-2012 Georgia Southern season. See More

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Basketball Play - Side Ball Screen with Single Double

Side Ball Screen with Single Double

Basketball HQ 11/09/2012

Set a good ball screen and have the point guard look to turn the corner and get in the paint. Make the defense suck in and then hit the shooter coming off the screen. Set a good down screen and the shooter coming off the screen needs to set his man up. Make the defense decide whether the are going to help on the ball screen or stay with the shooter on the pin down screen. This play is from the 2011-2012 Georgia Southern basketball season. See More

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Basketball Play - Florida - Continuity Offense

Florida - Continuity Offense

Luke Riegel 11/07/2012

This continuity offense provides an opportunity to get all 5 offensive players involved within the screening action. It also has provided us with a great "2nd offense" that is completely different than our offense that we run traditionally. If you have guards that like to post-up and bigs that can play on the perimeter, this continuity will be beneficial. See More

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